暴风来了
剧情介绍
一直作為(wéi )( )米路( )斯．科曼劇本鐵三角（另一位是( )帕( )培錫，也是本( )片編劇( )之一）成員(yuán )的艾雲．巴薩( )，當然也一直作為(wéi )(🌠)米路(🔨)斯．科曼劇本鐵三角（另一位是(🕋)帕(😘)培錫，也是本(🤢)片編劇(🎺)之一）成員(yuán )的艾雲．巴薩(🏴)，當然也走低度戲劇路線。同是音(🏇)樂家的彼德與卡洛老友重逢，生活狀況大不同，你有伴(🛹)侶我有家庭，然而都有(🥞)說不出的不明朗，唯(wéi )有以酒與(yǔ )音樂(🐖)代替口水(shuǐ )。全片(piàn )推展不問目(🌚)的，只在剎(chà )那間的意圖，行行(háng )企企比起科曼(🙂)更義無反顧，卻(🤠)有生活淡如(rú )流水的詩意和繆思，叫觀眾聯想(xiǎng )到二十(🕙)年(nián )後的伊力．盧馬。巴薩(sà )(🐀)鍾愛音樂的(⚾)程度不下於(yú )文字和電影，古典音樂與民間音樂於全片迴轉迴盪，難怪成了奇斯洛(🚶)夫斯基十大(😝)心愛電影之一。 康城影(📛)展青年評(píng )審團獎，美(💸)國全國影評人協(🚲)會特別(🌂)獎 這部1966年的珍品，是捷克(👛)新浪潮短暫生(🚻)命中最佳(jiā )作品之一。成名(❓)音樂家(🕺)到小鎮探訪(fǎng )舊同學，舊同(🈺)學是個窮(👅)音樂(🐈)教師，有時在喪禮上吹奏(zòu )樂曲(qǔ )。平凡的素材在巴素手裡，變出風趣復罕見的旋律，一(yī )部憂鬱的喜劇，或灰色喜(😼)劇。 (🔝) (🦐) - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel –(🕝) reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (🛤) (🛡) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006详情
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